Selective non-genius – Differentiating the art from the person

 

Last week, I attended a lecture by the journalist Uri Misgav on the subject of the songs of Mati Caspi, an Israeli musician, singer, arranger, and producer responsible for over 1000 songs over several decades. I am familiar with his songs as are most people in Israel but was less than enthusiastic about this lecture because I find his performances unexciting at best because of his persona on stage. Specifically, he looks and acts like a dead fish. In his case, I find it difficult to ignore the person and fully appreciate his work. However, in many art forms, fans can and do ignore the person beyond the work. They are able to relate to the art form and ignore the character of the artist behind it even when the character is particularly loathsome in some ways.

Many gifted writers were unpleasant people. Dostoevsky was a virulent anti-antisemite and misanthrope in general. While those characteristics may have had a positive role in creating his literary characters, I would not have wanted to meet him (nor the other way around, I assume). Leo (not Alexei) Tolstoy, for all his literary and philosophical heights, abandoned his wife and eight children so he could consider more mystic thoughts. George Simenon, the creator of amazing Jules Maigret detective stories, told his wife in the middle of the German occupation that if she did not like him sleeping with the maid, she could go to the Germans and complain. How charming and sensitive! Many Académie française writers, notably Louis-Ferdinand Céline, were fervent Nazis and virulent antisemites. In the UK, Rudyard Kipling was an unapologetic supporter of colonialism long after its warts had begun to show. Yet, it is possible to read the books of these writers with undiminished pleasure and ignore their political views, possibly because we do not actually see the person.

Artists in other media have also shown a mean streak. Among the musicians with a spoiled reputation (at least among some people) is Roger Waters of Pink Floyd fame due to his anti-Israel and antisemitic calls and political action. In Israel, a certain famous singer is infamous for alleged aggression against women and those critics that dare raise those allegations in public. Some actors also exceed the bounds of acceptable behavior. Many French are not thrilled by Gérard Depardieu leaving France for Russia to avoid French tax, not to mention his alleged sexual offenses. In the United States, Charlton Heston may have starred in some famous movies but he was also president of the National Rifle Association, whose agenda is not exactly mainstream. Personally, I find it difficult to separate the person from the art in these cases, again possibly due to the artist's actual presence on a stage.

The saying is that the way to hell is paved with good intentions. Maybe the way to heaven is filled with sharp pebbles. Depending on the level of clash between the audience and the artist as well as the genre of art, many people can overlook the unpleasant aspects of a creator and focus on the result itself. In other cases, the leakage or linkage is too strong to ignore, significantly reducing the greatness of that artist in some way. Ultimately, each person chooses to focus narrowly on the genius or include the whole character.