The term “French singer” is associated with native French, such as Edith Piaf and Yves Montand, or at least those born in neighboring European countries, such as Serge Reggiani (Italy) and Jacques Brel (Belgium). In fact, some of the most famous French singers were not even more born in Europe or in French-speaking countries. Three singing stars were born in Egypt but managed to enrich French culture.
Two of the three did not even have a French parent. Dalida, née Yolanda Cristina Gigliotti, was the daughter of Italian parents, her father being a first violinist. George Moustaki, né Giuseppe Mustacchi, came from a Greek Jewish family. By contrast, Claude Francois, had a French father but an Italian mother. All three arrived in France young and raw but were fortunate to meet a person that believed in them and helped them begin their career, Lucien Morisse, George Brassin and Paul Lederman, respectively. They all reached star status as reflected in their records sales, packed houses and mass public.
It is interesting to note the effect of their colonial childhood. Dalida always sang with an accent and had many “Arabic” aspects on her stage presence. George Moustaki had more of an Italian presence while Claude Francois consciously imitated American singers, notably Elvis. The first two also recorded songs in Arabic. In terms of music content, the immigrant experience had the most impact on George Moustaki, who wrote and sang about it. The others were less engagé (politically involved).
I find it fascinating these three singers were highly successfully in France despite not having been born there or spoken French at home. Their Italian background may have helped them adapt and be accepted. After all, Italian born singers did well worldwide, including in the United States. Possibly, talent compensates for all disadvantages. Another explanation is that France is more tolerant than most countries of foreign accents. Whatever the reason, France owes a lot to its Egyptian born artists, however strange that may sound.