Showing posts with label songs. Show all posts
Showing posts with label songs. Show all posts

Sunday, October 28, 2018

Musical normalcy


It is hard to unlearn a mistake.  Whether first learning how to play an instrument or having heard a song sung in a certain way, once it gets into your brain, the error become a norm and refuses to leave.  For example, those that first read National Lampoon’s Bored of the Rings will eternally think that Frito and Pepsi are the actual names of the lead characters. In my cases, I can recall the lyrics to several songs from youth but not exactly those that would be found in the Wikipedia entry.



 
For example, there is the famous Disney classic from the movie “Snow White and the Seven Dwarfs”, whose lyrics are as follows:

Heigh ho, heigh ho, it’s off to school we go
With switchblade knives and forty fives, heigh, heigh ho
Heigh ho, heigh ho, it’s off to school we go
With handgranades and razor blades, heigh heigh, heigh ho.

It should be noted, in all fairness, the movie version does not describe the manner of their return at all. So, we merely added details.
See: https://youtu.be/HI0x0KYChq4


Regarding that same love of school, being forced to go to Hebrew school, some of us used to chant:

Why do we have to rush, rush, rush? why do we have to rush, rush, rush? Why do we have to rush, rush, rush, to go to Hebrew school.

I just asked my wife what the real words are:

Hava narisha, rash, rash, rash, repeat, vaharishim.

It is actually a Purim song, rather joyful: https://youtu.be/HNxMmJPBgtg



Another song that we (collective responsibility) massacred is the classic “David Melech Israel, chai , chai vekiam”, which came out as follows:

Coca Cola, ginger ale, hi fi, pizza pie

Slightly different, I admit, but sweeter in a certain way and much more modern.  The original (as sung by more innocent children):https://youtu.be/u4dvFDLRPro



Of course, popular songs did not escape our damage.  One of the most important influences of my youth, MAD magazine, thoughtfully provided the lyrics to a leading single of the time, Downtown by Petula Clark:
Here is just a sample:

When you're at home and life is getting so hungry,
There's a meat you know,
Ground round.

You're in a hurry, but there's no need to scurry
It will help to know
Ground round.

Just mix it with some mac and cheese and you will look so witty
Add some Campbell's beef stock and your eatin' really nifty 
"How can you lose?"

There is no way you can err.
Some of the recipes double, and go in the fridge, cook slow

Cook brown
All meals taste great for sure
Ground round.
Use any place that your
Ground's sound
Won't taste like leather of shoe


And the original https://youtu.be/Zx06XNfDvk0, not bad in their own right.



Nobody was safe from our mischief. Even the Beatles had their famous submarine dirtied:

We all live in the yellow submarine.
It used to be green but we couldn’t keep it clean.

Actually, our version showed much more creativity than the original, which merely repeated the words “Yellow submarine” as you can hear yourself:
https://youtu.be/m2uTFF_3MaA

So, this small sample shows how normal is how normal was learned, for better or worse, the latter in the case of my piano playing.  I am sure everybody has a catalog of songs in the brains whose lyrics do not match the youtube version.  As they say, variety is the spice of life.



Sunday, May 13, 2018

Euro myopia


The annual masochistic cultural event is now past us. Eurovision, in its gory and glory, has announced the winner and sent the pleasure of hosting the event to Israel, my home.  To what degree the songs represented popular culture is debatable but it is clear that they reflect the culture of the collective tastes of the 42 committees that decide what the Eurovision public might like.  What can be learned from that?

The more things change, the more they stay the same….

This year’s event had some wonderful tributes to the past, intentional or unintentional.  We got to see soundalikes of Bruce Springfield, Shakira, Marvin Gaye, Jennifer Lopez, Iron Maiden and Justin Bieber. Imigation is the greatest form of flattery. In terms of style, three movie themes popped up: the Titanic, the Rocky Horror Picture Show, and a James Bond movie.  On the vaudeville side, jazz and a Russian variety act pleased the old-timers.  A singer that is young and sufficiently good looking does not have to have a good voice but being handicapped and good looking is not sufficient. Opera is classic but not cool while Balkan singing is cool but not classic. It was nice to see that a few more countries dared to sing in their own language and express their pride that way.  I am looking forward an Irish song in Gaelic one day.  Still, English is the king, no matter how foreign that language is. Curiously enough, the opera singer sang in Italian, a natural language for her.  As for the lyrics, they tended to fit three categories: love, nonsense or politics. Alas, nothing new there.

The state of the art
As represented by the spectrum of songs, today’s music is far from homogeneous. Ballads, hip hop, rock and rolls, R&B and rap are all acceptable as long as the costumers and pyrotechnics are there to entertain the audience visually.  Computer effects are almost de rigueur in terms of expectations.  In terms of the physical appearance of the singers, especially female, looks do count to a certain point.  Modern singers generally need to be attractive and show some, but not too much flesh.  Interestingly, Netta flaunted and exploited her lack of lankiness while other female singers bravely wore dresses that exposed their less than sexy legs. As for the males, Vikings are not expected to be dress like metrosexuals nor are heavy metal guitar players.  Alas, the double standard continues.

The looking glass

Israel gets to host Eurovision next year, which is an artistic, cultural and political achievement. Toy managed to connect with a vast number of people, the hallmark of a successful work. Not only that, Israel keeps on winning by sending exceptional, not typical, personalities to the contest.  The last Israeli first place singer was Dona International, not exactly a representative Israeli woman. Politically, votes for the Israeli song are often affected by international feelings toward Israel. Austria even awarded the song points, to the great disappointment, I imagine, of the BDS movement. The reward is the opportunity to prove yet again to the world that life in Israel is actually quite safe and normal in most senses and Tel Aviv is a great place to party. Culture and politics, ultimately, go hand and hand.

The pleasure and pain should be more intense next year even if the song may not be any better.